Download diner seshe ghumer deshe hemanta mukherjee
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Tomay Gaan Sonabo Suman Chatterjee. Aakasher Nir. Bishwa Jakhan Nidramagan Dhananjoy Bhattacharya. Prakiti Rabindra Sangeet Sankalan. Oi Aasantaler Matir Pare aditi mohsin. Bhalobasa Kare Koy. In Bengal, he was one of the foremost exponents of Rabindra Sangeet and perhaps the most sought-after male singer. In a ceremony organised by Hemanta Mukherjee to honour Debabrata Biswas — , the legendary Rabindra Sangeet exponent, in Calcutta in March , Debabrata Biswas unhesitatingly mentioned Hemanta as "the second hero" to popularise Rabindra Sangeet, the first being the legendary Pankaj Kumar Mallick.
In Mumbai, along with playback singing, Hemanta carved a niche as a composer. He composed music for a Hindi film called Nagin which became a major success owing largely to its music. Songs of Nagin remained chart-toppers continuously for two years and culminated in Hemanta receiving the prestigious Filmfare Best Music Director Award in The very same year, he scored music for a Bengali movie called Shapmochan in which he played back four songs for the Bengali actor Uttam Kumar.
This started a long partnership between Hemanta and Uttam as a playback singer-actor pair. They were the most popular singer-actor duo in Bengali cinema over the next decade. In the latter part of the s, Hemanta composed music and sang for several Bengali and Hindi films, recorded several Rabindra Sangeet and Bengali non-film songs. Almost all of these, especially his Bengali songs, became very popular.
This period can be seen as the zenith of his career and lasted for almost a decade. In the late s, Hemanta ventured into movie production under his own banner: Hemanta-Bela productions. The story was based on the travails of a Chinese street hawker in Calcutta in the backdrop of India's freedom struggle. The movie went on to win the President's Gold Medal — the highest honour for a movie from Government of India.
Only Bees Saal Baad and Khamoshi were major commercial successes. Back in Bengal, Hemanta scored music for a movie titled Palatak in where he experimented with merging Bengal folk music and light music. This proved to be a major success and Hemanta's composition style changed noticeably for many of his future films in Bengal such as Baghini , and Balika Badhu. In Bengali films Manihar and Adwitiya , both of which were major musical as well as commercial successes, his compositions had a light classical tinge.
In , for commemorating Rabindranath Tagore's birth centenary, Gramophone company of India featured Rabindrasangeet by Hemanta in a large portion of its commemorative output. This too proved to be a major commercial success. Hemanta went on several overseas concert tours including his trip to the West Indies. Overall, in the s decade he retained his position as the major male singer in Bengal and as a composer and singer to be reckoned with in Hindi films.
In the s he was the predominant and lead male voice in many of Tagore's musical dramas like Valmiki Pratibha , Shyama , Sapmochan , Chitrangada and Chandalika. With Kanika Bandopadhyay — and Suchitra Mitra — , who were the lead female voices in these, he was part of the Rabindra Sangeet triumvirate that was popular and respected.
It was referred as 'Hemanta-Kanika-Suchitra' and, with Debabrata Biswas, this quartet was and continues to be the mostly heard exponents of Tagore compositions. In the s, Hemanta's contribution in Hindi films was nominal.
He scored music for a handful of his home productions, but none of these movies were successful nor their music. In Bengal, however, he remained the foremost exponent of Rabindra Sangeet, film and non-film songs. His output continued to be popular for most of the decade. Some of them are Jodi jante chao tumi Stree , , Ke jane ko ghonta Sonar Khancha, , Jeona daraon bandhu Phuleswari , and popularised Rabindra sangeet using them beautifully in films as per situations.
A very popular and classic example is the song Chorono dhorite diyogo amare.. In , Hemanta debuted as a film director in for his self-produced Bengali movie Anindita. It didn't fare exceedingly well at the box office. However, his rendition Diner seshe ghumer deshe was one of his best and popular Rabindra Sangeet renditions.
In the same year Hemanta went to Hollywood by responding to film director Conrad Rooks and score the music of Conrad's Siddhartha and played back [ O Nadire He was the first Indian singer to play back in Hollywood. In the early to mids, two major music composers in Bengal, Nachiketa Ghosh and Robin Chatterjee, who had worked closely with Hemanta, since the early s, died.
Simultaneously, music composed by Hemanta for Bengali films like Phuleswari , Raag Anurag , Ganadebata and Dadar Kirti established him as the major film music composer in the Bengal movie scene. In , Hemanta re-recorded some of his earlier works with composer Salil Chowdhury from the s and s. Shreya Ghoshal picks up the baton from iconic performers as Raima Sen takes over from her grandmother Suchitra Sen in a wonderfully peppy rendition of an already wonderful song.
Anjan Dutt - the director - has a very strong music sense being a composer and lyricist himself and his son, Neel Dutt - the film's composer - adds the 'jhankaar beats' with just the right mix of exuberance and restraint.
And uh - ignore Shayan Munshi's tomfoolery. But that's part of the song's energy, I suppose. And Tomar holo shuru is as good as they get!
The original is about a passing of the baton from the older generation to the newer while the lift is an out-and-out romantic song, where Amitabh woos Neetu Singh in the empty expanse of Netaji Indoor Stadium in Calcutta. As a kid when I saw this film with my mother, I remember thinking "Oh my god, they copied that Bengali song from Amitabh" but then, hey!
Jana gana mann - Rann And this is my final - and most controversial - entry to my list. Tagore's most famous composition is the second-most popular song in the world - with nearly a billion people knowing it and singing it though a little unwilling, I am sure, in some cases.
Ramgopal Verma's take on modern media had a scathing re-working of our national anthem, in line - he claimed - with the toxic times. Guardians of our morality and patriotism felt it was too 'seditious' ah! But I think, Tagore - the original modernist - would have approved. Honourable Mention : I was thinking of a good picturisation of Shokhi bhabona kahare boley , a big favourite of mine.
An earlier version in Balika Bodhu Bengali was filmed with too much nyaka-ness. This is a rather interesting mix of video and audio, though I have no clue about the film or the actors. Now - quick, tell me what I missed! Dipta - A nice topic indeed but a number of notable omissions listed below: 1. I think I have still missed out a few important ones. Very nice Dada Loved the article Jaya said…. Indrayan-yes in Kuheli it's Hemanta and Lata..
Mor Bina othe kun sure baje-may be from neelmoyi neel.. Aguner Parashmani.. Chorono Dhorite dio go.. Dadar Kirti.. Loved reading it.. Abhishek Mukherjee said…. Bishwanath Ghosh said…. Ah, Kishore! And yes, Bidhir Bandhon Meghbalika said…. Hey Diptakirti, Nice post. Someone shared this with me and all over again I fell in love with Rabindra Sangeet. Well, a few songs which I like for their simple rendition are: 1 Alo amar alo from Aponjon.
This song is my Red Bull many a times. And if I am not wrong it was sung by the two actors themselves in the movie. The chorus was sung by the actor Partha Chatterjee and another actor whose name I don't know. And you have to pardon my ignorance on this. The song, in my opinion, is by far the most romantic song ever. My kind of romance that is.
And then the rains, the thunder, the lightning, and an extremely beautifully sultry Sharmila Tagore to top it off. There is nothing to say about this one. Still get chills up my spine whenever I manage to listen to it. That really made me sad. This one is my personal favourite.
A talchhara gaan accompanied by a simple tanpura. As far as remix with Rabindra Sangeet is concerned, Sahana Bajpayee is doing a good job.
It is called RAPE. And yes, this is again what a person biased about Rabindra Sangeet has to say. Ah, and those two magical pieces I had grown up under the idea that Kishore Kumar is the best Rabindrasangeet singer. I was, and am, often ridiculed for this notion.
But then, I don't really mind if I have Ray for company. Anupam said…. I thought the following rendition was nice in addition to what the commentators already mentioned. A few more came to my mind: 1. I will be really grateful. Kuntala said…. I am so happy to see 'Khorobayu boy bege' from Kabuliwala on top of your list. Unknown said…. Just one of my personal favourites:- "Ei korechho bhalo" from Dadar Kirti.
That movie also had a nice picturisation of the song from Chitrangada "Bo N dhu kon aalo lglo chokhe". There's this fabulous compilation -- available in cassette form earlier but now on CD -- called 'Chhayachhobite Rabindrasangeet'.
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